Last month I went to my first North American Jewish
Choral Festival, carpooling and bunking with a fellow alto in my choir and her
7-year-old daughter. I'm catching up gradually
to this annual reunion/conference/love-fest; we only stayed one night out of
the four, in the refurbished, partly remodeled Hudson Valley Resort and Spa, known
by previous generations as the Granite Hotel.
A very multi-layered experience, making all kinds of connections between
past and present.
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Spontaneous sing-along in the lobby of the Hudson Valley Resort --
Two guys wheeled out the piano and Dave Schlossberg,
our wonderful accompanist, sat down to play. |
First, it was a Brigadoon-like return to the Jewish
Catskills. The Catskills were long over their
peak, so to speak, by the time I ever stayed at one of the big resorts. That would have been over thirty years ago
with my future husband's family at Brown's, when the comedians still slipped in
a good shpritz of Yiddish, or a dozen years later at the Raleigh or Fallsview
or Concord, on now-treasured winter weekends as an adult with my husband, kids,
their grandparents, aunt, uncle and cousins. Maybe I was catching the tail end of the peak
when, at five years old, I spent a week with my parents and baby sister at the much
smaller Jockey Country Club, in Ellenville,
the town with my name.None of those
places are still in business; the relatively obscure Jockey Country Club never
made it into Catskill legend but today Googles up a few picture postcards on ebay and New York Post advertisements in an online retrospective. My folks made lifelong friends there.
But here, in Kerhonkson in 2014 for the five days in July, was a living,
breathing, Jewish gathering of 600 in a hotel that hadn't gone ultra-orthodox or been
left to molder in the woods. People of
all ages, cities, headwear and possibly even politics -- but one love for singing
Jewish music and by extension, creative community.

After getting over the initial geshtalt of welcome
banner, familiar and unfamiliar faces, I recognized the general layout of your old Borsht Belt hotel. Here was your
grandly spacious arrival hall; the long
reservation desk, the grand staircase, the paneling installed by
long-gone-and-buried contractors. The
double-height doors to the vast dining room. Off the back of the lobby, the sprawling, unchartable wings of guest rooms, built
in different stages and styles over the generations. The tower, where elevators
took you to the most centralized, modernized rooms. Also the theater, where our
mothers and grandmothers had once come in cocktail dresses, drinking whiskey sours and leaving
children to pooled babyitters.
Of course some things had been remodeled or at least
refreshed. The carpeting must have dated to this millennium. The dark oversized couches, arranged into four
or five separate conversational squares with coffee table in the middle, were probably
brought in within the past decade, from some closing hotel or furniture
outlet. The conference wing might have
been altogether new, added in the property's reincarnation as a meeting place
for all kinds of groups that required, or at least wouldn't mind, kosher
cuisine. The spa may have been new -- I don't think anyone went there from our crowd. The theater had been partially outfitted with row-long tables,
lecture-hall style, and a modern sound board and mikes.
And of course, there was wi-fi. While some of the couch corrals were filled with schmoozing choir members from far away, sharing
snacks and drinks, others were occupied
by lone email and Web junkies, or presenters making last-minute
changes to their workshop materials. Or cantorial colleagues planning joint programs back home, or just comparing notes.
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from the Hudson Valley Resort's site.. |
Filling the hallways, stage, stairs and conference rooms, was a special subset of Jewish clientele; people who'd come to make and
hear music, meet the composers whose names are on the sheet music they practice
all year. Also to get to know each other
better, to share meals and evenings and workshops instead of just weekly
rehearsals, with their own members and with singers and players from all over
North America. To perform before an audience of peers. To celebrate the 25th year of this event, its
founders and each other.
We could hear the great sound of the most professional groups -- the Zamir Chorales of New York and Boston -- rehearsing as we made our way to
registration.